ANNEMARIE MURLAND FINE ARTIST
  • HOME
  • About
    • Artist Statement
    • Curriculum Vitae
  • Painting
    • Painting the past in the present >
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016
      • Landscape: Mnemonic Scotland
      • A Trio of Trespassers, Maitland Regional Art Gallery, 15 July - 16 September, 2014. >
        • A Trio of Trespassers: Migration in Practice
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
      • Portraiture: Jimmy Blue [migrant]
      • Greetings From The Irish in Australia: The Selkie, Poem and Image, 2013.
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Materiality: Knitted and Cast Painting Surfaces >
        • Materiality Wrapped and Cast 2009-14
        • Materiality & Painting
      • An Open Secret: repositioning abstraction, 2014.
      • Colour as Form: Abstraction, 2013.
      • Colour As Form: Landscape, 2013.
      • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
      • Geography: Responses To The Landscape, GALLERY, 2013.
      • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
      • Out of Hand: GALLERY
      • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
      • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
      • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009.
      • Commissions
  • Drawing
    • DRAWING as a way of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
    • Drawing: Selkie
    • Lines of Inquiry: marking time and place, 2013-14.
    • Wrapped: marking time, 2014.
    • Drawing: Wrapped, 2011 - 2014.
  • Photography & Video
    • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: installation
      • Stories of Origin: Essay
    • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
      • The Marian Thread Essay: a homage to otherness, 2013.
    • Glasgow: The Dead End of Culture, 2007. >
      • Glasgow in Context
    • Field Work: Isle of Skye, Scotland, 2012.
  • Art Education Program: Pathways to Abstraction
    • Experimental Drawing Intensive
    • Understanding Abstraction Level 1
    • So you think you can't Draw
    • Art and Education >
      • Blended Learning: video
      • Blended Learning: flipping the studio
      • Project AM 730 >
        • AM 730 PROJECT
  • Academic Writing & Publications
    • Essay: A Long Road Home and Other Stories
    • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • Essay: Lisa Slade: Annemarie Murland
    • Essay for Dr Aubry Byrnes
    • Essay for Kiera O'Toole: homeWard bound
    • Essay for Pablo Tapia
    • Academic Paper: Migration and Sense of Place
    • Academic Paper: Migration and Diaspora.
    • Presentations >
      • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
      • Innovation in Teaching and Learning in Painting Practice as Research
      • What is Drawing?
      • Dematerialisation
      • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
      • MIGRATION: Neo Not New Narratives
      • Blog
  • Press and Other Things
    • Meet the Artist - Glasgow Women's Library
    • New Voices Ireland Wall Street International
    • Maitland Regional Gallery Art Mag
    • Dizionario degli artisti italiani 2015
    • Irish Echo : The Gathering
  • Artist in Residence Mater Hospice

Drawing as an Installation
thread paper towel graphite powder ink and gesso

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#painting#drawing#courses#abstraction#research#glasgow#calton#contemporary#art#newcastle#australia#contemporaryartinpractice
  • HOME
  • About
    • Artist Statement
    • Curriculum Vitae
  • Painting
    • Painting the past in the present >
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016
      • Landscape: Mnemonic Scotland
      • A Trio of Trespassers, Maitland Regional Art Gallery, 15 July - 16 September, 2014. >
        • A Trio of Trespassers: Migration in Practice
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
      • Portraiture: Jimmy Blue [migrant]
      • Greetings From The Irish in Australia: The Selkie, Poem and Image, 2013.
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Materiality: Knitted and Cast Painting Surfaces >
        • Materiality Wrapped and Cast 2009-14
        • Materiality & Painting
      • An Open Secret: repositioning abstraction, 2014.
      • Colour as Form: Abstraction, 2013.
      • Colour As Form: Landscape, 2013.
      • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
      • Geography: Responses To The Landscape, GALLERY, 2013.
      • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
      • Out of Hand: GALLERY
      • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
      • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
      • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009.
      • Commissions
  • Drawing
    • DRAWING as a way of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
    • Drawing: Selkie
    • Lines of Inquiry: marking time and place, 2013-14.
    • Wrapped: marking time, 2014.
    • Drawing: Wrapped, 2011 - 2014.
  • Photography & Video
    • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: installation
      • Stories of Origin: Essay
    • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
      • The Marian Thread Essay: a homage to otherness, 2013.
    • Glasgow: The Dead End of Culture, 2007. >
      • Glasgow in Context
    • Field Work: Isle of Skye, Scotland, 2012.
  • Art Education Program: Pathways to Abstraction
    • Experimental Drawing Intensive
    • Understanding Abstraction Level 1
    • So you think you can't Draw
    • Art and Education >
      • Blended Learning: video
      • Blended Learning: flipping the studio
      • Project AM 730 >
        • AM 730 PROJECT
  • Academic Writing & Publications
    • Essay: A Long Road Home and Other Stories
    • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • Essay: Lisa Slade: Annemarie Murland
    • Essay for Dr Aubry Byrnes
    • Essay for Kiera O'Toole: homeWard bound
    • Essay for Pablo Tapia
    • Academic Paper: Migration and Sense of Place
    • Academic Paper: Migration and Diaspora.
    • Presentations >
      • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
      • Innovation in Teaching and Learning in Painting Practice as Research
      • What is Drawing?
      • Dematerialisation
      • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
      • MIGRATION: Neo Not New Narratives
      • Blog
  • Press and Other Things
    • Meet the Artist - Glasgow Women's Library
    • New Voices Ireland Wall Street International
    • Maitland Regional Gallery Art Mag
    • Dizionario degli artisti italiani 2015
    • Irish Echo : The Gathering
  • Artist in Residence Mater Hospice
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