ANNEMARIE MURLAND FINE ARTIST
  • HOME
  • About
    • Artist Statement
    • Curriculum Vitae
  • Painting
    • Painting the past in the present >
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016
      • Landscape: Mnemonic Scotland
      • A Trio of Trespassers, Maitland Regional Art Gallery, 15 July - 16 September, 2014. >
        • A Trio of Trespassers: Migration in Practice
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
      • Portraiture: Jimmy Blue [migrant]
      • Greetings From The Irish in Australia: The Selkie, Poem and Image, 2013.
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Materiality: Knitted and Cast Painting Surfaces >
        • Materiality Wrapped and Cast 2009-14
        • Materiality & Painting
      • An Open Secret: repositioning abstraction, 2014.
      • Colour as Form: Abstraction, 2013.
      • Colour As Form: Landscape, 2013.
      • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
      • Geography: Responses To The Landscape, GALLERY, 2013.
      • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
      • Out of Hand: GALLERY
      • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
      • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
      • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009.
      • Commissions
  • Drawing
    • DRAWING as a way of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
    • Drawing: Selkie
    • Lines of Inquiry: marking time and place, 2013-14.
    • Wrapped: marking time, 2014.
    • Drawing: Wrapped, 2011 - 2014.
  • Photography & Video
    • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: installation
      • Stories of Origin: Essay
    • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
      • The Marian Thread Essay: a homage to otherness, 2013.
    • Glasgow: The Dead End of Culture, 2007. >
      • Glasgow in Context
    • Field Work: Isle of Skye, Scotland, 2012.
  • Art Education Program: Pathways to Abstraction
    • Experimental Drawing Intensive
    • Understanding Abstraction Level 1
    • So you think you can't Draw
    • Art and Education >
      • Blended Learning: video
      • Blended Learning: flipping the studio
      • Project AM 730 >
        • AM 730 PROJECT
  • Academic Writing & Publications
    • Essay: A Long Road Home and Other Stories
    • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • Essay: Lisa Slade: Annemarie Murland
    • Essay for Dr Aubry Byrnes
    • Essay for Kiera O'Toole: homeWard bound
    • Essay for Pablo Tapia
    • Academic Paper: Migration and Sense of Place
    • Academic Paper: Migration and Diaspora.
    • Presentations >
      • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
      • Innovation in Teaching and Learning in Painting Practice as Research
      • What is Drawing?
      • Dematerialisation
      • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
      • MIGRATION: Neo Not New Narratives
      • Blog
  • Press and Other Things
    • Meet the Artist - Glasgow Women's Library
    • New Voices Ireland Wall Street International
    • Maitland Regional Gallery Art Mag
    • Dizionario degli artisti italiani 2015
    • Irish Echo : The Gathering
  • Artist in Residence Mater Hospice
Painting: the past in the present 
​
Visual explorations between self and place that rely on recall and felt experience as a way of keeping the past in the present.My primary aim with this body of work is to celebrate the diversity of Scottish culture, albeit from a Glaswegian perspective, through my visual  art practice. I particularly want to acknowledge the migrant women of Glasgow's East End, many of whom came from Ireland to Scotland at the turn of the 20th century. It is through a process of weaving wet and dry materials, in the making of paintings and drawings that I celebrate not only their contribution to the community and culture of Glasgow, but, as a homage to my mother whose identity was embedded in her craft of knitting that was enjoyed by many.
Picture
Crossing Borders, Oil on Canvas on Board, 60x60cm, 2014.
Picture
Crossing Borders ll, Oil on Board, 100x90cm, 2014.
#painting#drawing#courses#abstraction#research#glasgow#calton#contemporary#art#newcastle#australia#contemporaryartinpractice
  • HOME
  • About
    • Artist Statement
    • Curriculum Vitae
  • Painting
    • Painting the past in the present >
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016
      • Landscape: Mnemonic Scotland
      • A Trio of Trespassers, Maitland Regional Art Gallery, 15 July - 16 September, 2014. >
        • A Trio of Trespassers: Migration in Practice
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
      • Portraiture: Jimmy Blue [migrant]
      • Greetings From The Irish in Australia: The Selkie, Poem and Image, 2013.
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Materiality: Knitted and Cast Painting Surfaces >
        • Materiality Wrapped and Cast 2009-14
        • Materiality & Painting
      • An Open Secret: repositioning abstraction, 2014.
      • Colour as Form: Abstraction, 2013.
      • Colour As Form: Landscape, 2013.
      • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
      • Geography: Responses To The Landscape, GALLERY, 2013.
      • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
      • Out of Hand: GALLERY
      • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
      • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
      • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009.
      • Commissions
  • Drawing
    • DRAWING as a way of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
    • Drawing: Selkie
    • Lines of Inquiry: marking time and place, 2013-14.
    • Wrapped: marking time, 2014.
    • Drawing: Wrapped, 2011 - 2014.
  • Photography & Video
    • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: installation
      • Stories of Origin: Essay
    • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
      • The Marian Thread Essay: a homage to otherness, 2013.
    • Glasgow: The Dead End of Culture, 2007. >
      • Glasgow in Context
    • Field Work: Isle of Skye, Scotland, 2012.
  • Art Education Program: Pathways to Abstraction
    • Experimental Drawing Intensive
    • Understanding Abstraction Level 1
    • So you think you can't Draw
    • Art and Education >
      • Blended Learning: video
      • Blended Learning: flipping the studio
      • Project AM 730 >
        • AM 730 PROJECT
  • Academic Writing & Publications
    • Essay: A Long Road Home and Other Stories
    • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • Essay: Lisa Slade: Annemarie Murland
    • Essay for Dr Aubry Byrnes
    • Essay for Kiera O'Toole: homeWard bound
    • Essay for Pablo Tapia
    • Academic Paper: Migration and Sense of Place
    • Academic Paper: Migration and Diaspora.
    • Presentations >
      • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
      • Innovation in Teaching and Learning in Painting Practice as Research
      • What is Drawing?
      • Dematerialisation
      • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
      • MIGRATION: Neo Not New Narratives
      • Blog
  • Press and Other Things
    • Meet the Artist - Glasgow Women's Library
    • New Voices Ireland Wall Street International
    • Maitland Regional Gallery Art Mag
    • Dizionario degli artisti italiani 2015
    • Irish Echo : The Gathering
  • Artist in Residence Mater Hospice
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