ANNEMARIE MURLAND artist educator curator & arts writer
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
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YOUR CART

Pathways to Abstraction
A 4 week long intensive study @ Melbourne Studio of Art June|July 2017

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Annemarie Murland Ph.D.
Artist and Educator | All text is copyright of
Dr Annemarie Murland
Creative Learning Programme Work Schedule Melbourne Studio of Art, Victoria.

Workshop Title | Pathways to Abstraction in Painting: materiality as a concept and process


Description:

In a supportive environment this 4week Pathways to Abstraction in Painting course will develop the student’s material knowledge and understanding of contemporary painting practices and provide a thorough overview of how materiality as a concept can be used to construct paintings within an abstract context. The student will experience and experiment with traditional material methodologies alongside non-conventional processes and applications of paint that, when combined create a platform for abstraction to take place. An individual approach to abstraction is emphasised throughout the coursework and you will be encouraged to experiment with your materials and ideas to produce resolved works of art. 

What students can expect: 
  • Each session will commence with a studio talk that will introduce the student to contemporary painting practices and practitioners. These conversations are intended to prompt discussion and provide a foundational understanding of the medium of paint | surfaces and grounds | painting materials | colour theory | brushwork | 
  • Each session will extend, inform and improve your painting practice and skills | understand compositional devices and colour relationships | 
  • Each session will develop and generate new ideas | experience a material approach to painting abstraction | understanding and explore the space and place of the picture plane |
  • On successful completion of the 4 week painting course the students will have expanded their painting and visual language skills and will have learnt how to blend materials and ideas into abstract concepts to produce painted works of art.

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Annemarie Murland is a Scottish artist and educator living in Newcastle, NSW, Australia
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