ANNEMARIE MURLAND artist educator curator & arts writer
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
Search by typing & pressing enter

YOUR CART

​
Greetings From The Irish in Australia: an international, collaborative project that celebrates the Gathering 2013. http://greetingsfromtheirishinaustralia.wordpress.com/

Dr Annemarie Murland and Kiera OToole, together with academics and artists from a range of tertiary institutions within Australia provide a collective overview of what it means to be Irish, home and away in the form of an edited book entitled: Greetings from the Irish in Australia. 

Providing a platform to present old and new mechanisms for  understanding Irishness within an Australian and universal context is the work of Annemarie Murland who, although Scottish by birth identifies with Irish culture through her Irish heritage.  Gareth Jenkins and Allan Chawner. Jenkins, who was born in the UK but after living in Ireland for 12 years, considers himself to be an Irish resident. Chawner’s story is emblematic of the Irish Australian narrative. Chawner’s grandfather was an Irish immigrant, arriving in Australia in 1886 and Chawner, now an Irish citizen is exploring his Irishness and to quote Chawner, ‘my home that I have never been to’.

Moreover, there are the first generation decedent of Irish migrants living in Australia whose stories are integral to the raison d’etre of this undertaking. Fiona Doyle was born in Ireland but grew up in Western Australia; she states that she felt disorientated when she returned to live in Ireland when she was seventeen. Perry McIntyre, Dymphna Lonergan and Siobhan McHugh are all Irish migrants whose life work examines Irishness from afar. Finally, there is me. I have lived in NSW for eight years but remain resolutely Irish in my sense of identity and belonging elsewhere?

Our collective stories offer a glimpse into the Irish in Australia in 2013 and our wish is this: to remind the Irish at ‘home’, that we are here, in Australia, writing, visualizing, deliberating  and contributing to the Irish story.


 

Annemarie Murland is a Scottish artist and educator living in Newcastle, NSW, Australia
​