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Annemarie Murland artist | curator writer
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PUBLICATIONS | ACADEMIC WRITING | TEACHING & LEARNING
STUDIO LA PRIMITIVE ZINE 2019
AFTER BEFORE WHITE RABBITS
MIGRATION AND DIASPORA
MIGRATION AND SENSE OF PLACE
GLASGOW IN CONTEXT
A TRIO OF TRESPASSERS
LISA SLADE/ANNEMARIE MURLAND
DR AUBRY BYRNES
PATHWAYS TO ABSTRACTION
BLENDED LEARNING
WHAT DOES INNOVATION IN FINE ARTS TEACHING LOOK LIKE?
Experimental Drawing Intensive
LANGUAGE AND MEANING
SO YOU THINK YOU CAN'T DRAW
UNDERSTANDING ABSTRACTION
DEMATERIALISATION
MAITLAND REGIONAL ART GALLERY
ESSAY FOR PABLO TAPIA
ESSAY: HOMEWARD BOUND
WORKS BY COMMISSION
PRESS AND OTHER THINGS
DIZIONARIO DEGLI ARTISTI ITALIANI
THE IRISH ECHO: THE GATHERING
GLASGOW WOMENS LIBRARY
WALL ST INTERNATIONAL
DRAWING
DRAWING AS AN INSTALLATION
DRAWING INTO PRINTMAKING
DRAWING WITH THREAD
INTERDISCIPLINARY DRAWING
DRAWING STILL LIFE AND COLLAGE
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DRAWING AND POETRY
LINES OF INQUIRY MARKING TIME AND PLACE
ARTIST IN RESIDENCE: CALVERYMATER HOSPICE RESIDENCY
ARTIST IN RESIDENCE: RANKIN PARK ACUTE BRAIN INJURY UNIT
REIMAGINING THE CANON
DRAWING: AN INTERDISCIPLINARY LANDSCAPE
HOME
ABOUT
PORTFOLIO
PORTFOLIO ARCHIVE
PURCHASE
DIGITAL AND VIDEO MEDIA
ARTCAST VIDEOS
DUBLIN STORIES OF ORIGIN PORTRAITS
>
DUBLIN STORIES OF ORIGIN VIDEO
DUBLIN STORIES INSTALLATION
GLASGOW STORIES OF ORIGIN 2016
>
GLASGOW STORIES OF ORIGIN THUMBNAILS
GLASGOW STORIES VIDEO
STORIES OF ORIGIN GLASGOW
FIELD WORK, SHEEP PENS DREAMING, SCOTLAND 2012
CURATORIAL PRACTICE
CURATORIAL PRACTICE & INTERNATIONAL COLLABORATIONS
>
REIMAGINING THE CANON
THE MIGRANT WOMEN PROJECT 2018/19
THE MARIAN THREAD
THE MARIAN THREAD ESSAY
GREETINGS FROM THE IRISH IN AUSTRALIA COLLABORATIVE PROJECT 2013
GREETINGS FROM THE IRISH IN AUSTRALIA: THE SELKIE
GLASGOW: THE DEAD END OF CULTURE 2007
GLASGOW DEAD END OF CULTURE ESSAY
THE BOOK OF RUTH: RETURNED AND RETURNING MIGRATION PROPOSAL
PUBLICATIONS | ACADEMIC WRITING | TEACHING & LEARNING
STUDIO LA PRIMITIVE ZINE 2019
AFTER BEFORE WHITE RABBITS
MIGRATION AND DIASPORA
MIGRATION AND SENSE OF PLACE
GLASGOW IN CONTEXT
A TRIO OF TRESPASSERS
LISA SLADE/ANNEMARIE MURLAND
DR AUBRY BYRNES
PATHWAYS TO ABSTRACTION
BLENDED LEARNING
WHAT DOES INNOVATION IN FINE ARTS TEACHING LOOK LIKE?
Experimental Drawing Intensive
LANGUAGE AND MEANING
SO YOU THINK YOU CAN'T DRAW
UNDERSTANDING ABSTRACTION
DEMATERIALISATION
MAITLAND REGIONAL ART GALLERY
ESSAY FOR PABLO TAPIA
ESSAY: HOMEWARD BOUND
WORKS BY COMMISSION
PRESS AND OTHER THINGS
DIZIONARIO DEGLI ARTISTI ITALIANI
THE IRISH ECHO: THE GATHERING
GLASGOW WOMENS LIBRARY
WALL ST INTERNATIONAL
DRAWING
DRAWING AS AN INSTALLATION
DRAWING INTO PRINTMAKING
DRAWING WITH THREAD
INTERDISCIPLINARY DRAWING
DRAWING STILL LIFE AND COLLAGE
>
DRAWING AND POETRY
LINES OF INQUIRY MARKING TIME AND PLACE
ARTIST IN RESIDENCE: CALVERYMATER HOSPICE RESIDENCY
ARTIST IN RESIDENCE: RANKIN PARK ACUTE BRAIN INJURY UNIT
REIMAGINING THE CANON
DRAWING: AN INTERDISCIPLINARY LANDSCAPE
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