ANNEMARIE MURLAND FINE ARTIST & RESEARCHER
  • Home
  • STUDIO HIGHLIGHTS
  • Migration in Practice: Painting
    • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
      • Painting a Multimedia Practice
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
        • A Trio of Trespassers: Migration in Practice
        • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
        • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
        • Landscape: Mnemonic Scotland
        • Colour as Form: Abstraction, 2013.
        • Colour As Form: Landscape, 2013.
        • Painting the Past in the Present >
          • Portraiture: Jimmy Blue [migrant]
          • An Open Secret: repositioning abstraction, 2014.
          • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
          • Geography: Responses To The Landscape, GALLERY, 2013.
          • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
          • Out of Hand: GALLERY
          • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
  • Migration In Practice: Drawing
    • Drawing As A Way Of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
      • Drawing: Selkie
      • Lines of Inquiry: marking time and place, 2013-14.
      • Drawing: Wrapped, 2011 - 2014. >
        • Wrapped: marking time, 2014.
  • Migration in Practice: International, Collaborative Practice Led Research Projects
    • The Migrant Woman Project 2018/19
    • The Book of Ruth: returned and returning migration
    • Stories of Origin: Essay
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: installation
      • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
        • Stories of Origin: Glasgow Women's Library 2016
        • Stories of Origin GWL Video 2016
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Greetings From the Irish in Australia: The Selkie
      • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013.
      • The Marian Thread Essay: a homage to otherness, 2013.
      • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
      • Glasgow: The Dead End of Culture, 2007.
      • Field Work: Isle of Skye, Scotland, 2012.
      • Artist in Residence Mater Hospice
      • Artist Residencies
  • Migration in Practice: Poetry, After before White Rabbits
  • About Annemarie Murland
    • Contact Us
    • Artist Statement >
      • Curriculum Vitae
      • Teaching & Learning & Academic Writing >
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay for Dr Aubry Byrnes
        • Essay for Pablo Tapia
        • Essay for Kiera O'Toole: homeWard bound
      • Art Education Program: Pathways to Abstraction >
        • Blended Learning: flipping the studio
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • Experimental Drawing Intensive
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Understanding Abstraction Level 1
        • So you think you can't Draw
        • Dematerialisation
        • What is Drawing?
        • Proposal: AM 730 PROJECT
        • Project AM 730
        • Press and Other Things
        • Meet the Artist - Glasgow Women's Library >
          • New Voices Ireland Wall Street International
          • Maitland Regional Gallery Art Mag
          • Irish Echo : The Gathering
          • Dizionario degli artisti italiani 2015
      • Commissions
  • Home
  • STUDIO HIGHLIGHTS
  • Migration in Practice: Painting
    • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
      • Painting a Multimedia Practice
      • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
        • A Trio of Trespassers: Migration in Practice
        • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
        • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
        • Landscape: Mnemonic Scotland
        • Colour as Form: Abstraction, 2013.
        • Colour As Form: Landscape, 2013.
        • Painting the Past in the Present >
          • Portraiture: Jimmy Blue [migrant]
          • An Open Secret: repositioning abstraction, 2014.
          • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
          • Geography: Responses To The Landscape, GALLERY, 2013.
          • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
          • Out of Hand: GALLERY
          • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
  • Migration In Practice: Drawing
    • Drawing As A Way Of Thinking
    • Interdisciplinary Drawing | Collage | Still Life | landscape >
      • Interdisciplinary Drawing 2016-17
      • Drawing into Printmaking
      • Drawing with Thread
      • Drawing as an Installation
      • Drawing: Selkie
      • Lines of Inquiry: marking time and place, 2013-14.
      • Drawing: Wrapped, 2011 - 2014. >
        • Wrapped: marking time, 2014.
  • Migration in Practice: International, Collaborative Practice Led Research Projects
    • The Migrant Woman Project 2018/19
    • The Book of Ruth: returned and returning migration
    • Stories of Origin: Essay
    • Stories of Origin: Migration in Practice Ireland 2015 >
      • Stories of Origin: Migration in Practice, Video.
      • Stories of Origin: Centre for Creative Practice, Dublin, 2015.
      • Stories of Origin ll
      • Stories of Origin lll
      • Stories of Origin: installation
      • Stories of Origin: Migration in Practice, Glasgow Womens Library 2016 >
        • Stories of Origin: Glasgow Women's Library 2016
        • Stories of Origin GWL Video 2016
      • Greetings From The Irish in Australia: An International, Collaborative Project, 2013.
      • Greetings From the Irish in Australia: The Selkie
      • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013.
      • The Marian Thread Essay: a homage to otherness, 2013.
      • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
      • Glasgow: The Dead End of Culture, 2007.
      • Field Work: Isle of Skye, Scotland, 2012.
      • Artist in Residence Mater Hospice
      • Artist Residencies
  • Migration in Practice: Poetry, After before White Rabbits
  • About Annemarie Murland
    • Contact Us
    • Artist Statement >
      • Curriculum Vitae
      • Teaching & Learning & Academic Writing >
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay for Dr Aubry Byrnes
        • Essay for Pablo Tapia
        • Essay for Kiera O'Toole: homeWard bound
      • Art Education Program: Pathways to Abstraction >
        • Blended Learning: flipping the studio
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • Experimental Drawing Intensive
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Understanding Abstraction Level 1
        • So you think you can't Draw
        • Dematerialisation
        • What is Drawing?
        • Proposal: AM 730 PROJECT
        • Project AM 730
        • Press and Other Things
        • Meet the Artist - Glasgow Women's Library >
          • New Voices Ireland Wall Street International
          • Maitland Regional Gallery Art Mag
          • Irish Echo : The Gathering
          • Dizionario degli artisti italiani 2015
      • Commissions
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YOUR CART

Learning and Living through Making  
We know not through our intellect but through our experience. (Maurice Merleau-Ponty)

Annemarie Murland is a Scottish artist and educator living in Newcastle, NSW, Australia
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