ANNEMARIE MURLAND artist educator curator & arts writer
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
  • Home
  • STUDIO HIGHLIGHTS
  • Curatorial Projects
    • Reimagining the Canon
    • The Migrant Woman Project 2018/19 >
      • The Book of Ruth: returned and returning migration
  • Art Practice
    • Artist Residence
    • Artist in Residence: Mater Hospice
    • Artist in Residence: Rankin Park Hospital
    • Glasgow Stories of Origin 2016 >
      • Stories of Origin Portraits
      • Stories of Origin: Glasgow Women's Library 2016
      • Stories of Origin GWL Video 2016
      • Stories of Origin: Essay
    • Dublin Stories of Origin 2015
    • Dublin Stories of Origin: Centre for Creative Practice, Dublin, 2015.
    • Stories of Origin: Migration in Practice, Video.
    • Dublin Stories of Origin: installation
    • International Collaborative Practice Led Research Projects >
      • The Marian Thread >
        • Marian Thread: a visual research project in conjunction with The Ends of Ireland Conference, UNSW, December 2013. >
          • The Marian Thread Essay: a homage to otherness, 2013.
          • Greetings From The Irish in Australia: An International, Collaborative Project, 2013. >
            • Greetings From the Irish in Australia: The Selkie
          • Glasgow: The Dead End of Culture, 2007.
          • The Dead End of Culture: Documentary Photographs of Glasgow's East End, 2007
    • About Annemarie Murland >
      • Artist Statement >
        • Curriculum Vitae >
          • Contact Us
    • Painting >
      • Painting a Multimedia Practice
      • A Long Road Home: Ph.D. Exhibition, UON Gallery, Newcastle, 15 - 24 July, 2009. >
        • Interdisciplinary Painting: Residency Box Hill Art Centre 2016 >
          • A Trio of Trespassers: Migration in Practice
          • East meets West: expressions in contemporary art, Galleria Tondinelli, Rome, 13 September - 9 October, 2010.
          • Structure becomes Image: the University of Newcastle Gallery 28 September - 13 October 2012.
          • Landscape: Mnemonic Scotland
          • Colour as Form: Abstraction, 2013.
          • Colour As Form: Landscape, 2013.
          • The Past in the Present >
            • Portraiture: Jimmy Blue [migrant]
            • An Open Secret: repositioning abstraction, 2014.
            • Geography: Responses To Landscape, UON Gallery, Newcastle, 2 - 19 October, 2013.
            • Geography: Responses To The Landscape, GALLERY, 2013.
            • Out of Hand: The Depot Gallery, Sydney, 13 - 24 August, 2013.
            • Out of Hand: GALLERY
            • Not So Bizarre: Pop Up Exhibition, Studio 8, Newcastle Art Centre, Friday 14 - Sunday 16 June, 2013.
            • Field Work: Isle of Skye, Scotland, 2012.
      • Drawing >
        • Drawing As A Way Of Thinking
        • Interdisciplinary Drawing | Collage | Still Life | landscape >
          • Interdisciplinary Drawing 2016-17
          • Drawing into Printmaking
          • What is Drawing?
          • Drawing with Thread
          • Drawing as an Installation
          • Drawing: Selkie
          • Lines of Inquiry: marking time and place, 2013-14.
          • Drawing: Wrapped, 2011 - 2014.
          • Wrapped: marking time, 2014.
      • Publications & Academic Writing >
        • Migration in Practice: Poetry, After before White Rabbits
        • Academic Paper: Migration and Diaspora.
        • Academic Paper: Migration and Sense of Place
        • Glasgow in Context
        • Essay: A Trio of Trespassers: Murland, Devine, OToole
        • Essay: Lisa Slade: Annemarie Murland
        • Essay : Dr Aubry Byrnes
        • Essay : Pablo Tapia
        • Essay : Kiera O'Toole: homeWard bound
        • Commissions
        • Press and Other Things
        • Dizionario degli artisti italiani 2015
      • Irish Echo : The Gathering
      • New Voices Ireland Wall Street International
      • Meet the Artist - Glasgow Women's Library
      • Art Education Program: Pathways to Abstraction
      • Project AM 730 >
        • Blended Learning: flipping the studio
        • Proposal: AM 730 PROJECT
        • What does ‘innovation’ within the teaching and learning of Painting practice look like. How can innovatory developments within the curriculum encourage painting’s potential as an educational and cultural force?
        • Experimental Drawing Intensive
        • Language and Meaning: Lecture Presentation by Dr Annemarie Murland
        • So you think you can't Draw
        • Understanding Abstraction Level 1
        • Dematerialisation
        • Maitland Regional Gallery Art Mag
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YOUR CART

ANNEMARIE MURLAND GALLERY

Paintings on Paper
PAINTINGS ON PAPER ON BOARD
NEW WORKS
Into The Mystic 1-4
A$2,000.00
A$2,000.00
Sheep Pens Dreaming #1
A$500.00
A$500.00
Sheep Pens Dreaming # 2-5
A$500.00
A$500.00
Annemarie Murland is a Scottish artist and educator living in Newcastle, NSW, Australia
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